Baking Bread

Autoharp Hero

The gentleman holding the autoharp in the last picture from the Sheep and Wool festival is Bryan Bowers. I was, as we used to say, "blown away" the first time I saw him play back in 1972. A friend and I had gone to a show at the Lisner Auditorium to catch The Seldom Scene, a bluegrass band we held in the same awe we would normally reserve for the Dead, Cream or Dylan. Bryan Bowers was also on the bill, following The Seldom Scene. Our guys put on a tremendous show, with their trademark mix of newgrass instrumental virtuosity, tight vocals and traditional stylings put into overdrive by the stage presence of the irrepressible John Duffy. Happy with what we had just heard, we were ready to leave but decided to see what one guy with an autoharp could do. We figured at least it would be good for a laugh. What followed was an hour of music still fresh in my mind over thirty-five years later. The energy pouring off that stage and the sounds he got from that string-covered board were nothing short of amazing. It was good to see him on Saturday. The energy level exhibited Saturday was more fitting for an elder statesman than a young turk, but he can still play. He doesn't look much like he used to:

But then, neither do I. It was good to hear him again.

Sheep and Wool Festival

On Saturday Susan and I drove up to Howard County Maryland to spend the afternoon at the Maryland Sheep and Wool Festival. Besides, being a nice day trip, we had the blades to our sheep shears sharpened, bought a second shearing machine to replace one that went dead last year, ate junk food, listened to music, daydreamed about expensive farm equipment and admired the prize winning sheep on display. Here are a few photos from the day:

Looking Towards Home

A Bumble Bee Came out of the Barn . . .

For the First of May

May Magnificat

MAY is Mary's month, and I

Muse at that and wonder why:

Her feasts follow reason,

Dated due to season-

Candlemas, Lady Day;

But the Lady Month, May,

Why fasten that upon her,

With a feasting in her honour?

Is it only its being brighter

Than the most are must delight her?

Is it opportunest

And flowers finds soonest?

Ask of her, the mighty mother:

Her reply puts this other

Question: What is Spring?-

Growth in every thing-

Flesh and fleece, fur and feather,

Grass and greenworld all together;

Star-eyed strawberry-breasted

Throstle above her nested

Cluster of bugle blue eggs thin

Forms and warms the life within;

And bird and blossom swell

In sod or sheath or shell.

All things rising, all things sizing

Mary sees, sympathising

With that world of good,

Nature's motherhood.

Their magnifying of each its kind

With delight calls to mind

How she did in her stored

Magnify the Lord.

Well but there was more than this:

Spring's universal bliss

Much, had much to say

To offering Mary May.

When drop-of-blood-and-foam-dapple

Bloom lights the orchard-apple

And thicket and thorp are merry

With silver-surfed cherry

And azuring-over greybell makes

Wood banks and brakes wash wet like lakes

And magic cuckoocall

Caps, clears, and clinches all-

This ecstasy all through mothering earth

Tells Mary her mirth till Christ's birth

To remember and exultation

In God who was her salvation.

Gerard Manley Hopkins

Why this blog is mostly about books and farming

The Orthodox Blogosphere is always embroiled in some controversy or other. I am often tempted join in but usually manage to restrain myself. Lately, when the urge becomes compelling, I squash it by thinking of this cartoon from Randall Monroe at xkcd.com:

 

If you have a complaint . . .

It is the nature of my work that I meet people when they have problems.  I try and help with the ones that are potentially fixable in the legal system of the Commonwealth of Virginia.  As for the rest, well in spite of what we lawyers may say, the Courts don't have an answer for most of the difficulties that plague us in day to day life. To fix those you may try prayer, politics, or simply learn patience.  Or, you can join voices with like minded folks and try this.

Spring rains and an evening with a poet

Rain again today.  I would post a picture, but too much rushing around this morning and meetings until late tonight left no time.  It is finally quiet here at home, dogs snoozing on the carpet waiting for me to go to bed.  I am looking through volumes of Chinese and Japanese poetry, reading about Spring in an age past and half a world away.  This, by the Japanese poet Saigyo as translated by Burton Watson struck me tonight as I read in our mountain home:

Spring Showers in a Mountain Dwelling--written at Ohara

Curtained by spring showers

pouring down from the eves,

a place where someone lives,

idle, idle,

unknown to others

 

CHRIST IS RISEN!

Last night our little congregation stood outside in the mist and, raising our candles in the sign of the cross, proclaimed and celebrated the resurrection.  For the next forty days we greet each other with the best news a man or woman can hear; Christ is Risen!  Why is this so?  Here is the answer, taken from the Paschal Sermon of St John Chrysostom, read as part of the service:

Let no one bewail his poverty,
For the universal Kingdom has been revealed.
Let no one weep for his iniquities,
For pardon has shown forth from the grave.
Let no one fear death,
For the Savior's death has set us free.
He that was held prisoner of it has annihilated it.

By descending into Hell, He made Hell captive.
He embittered it when it tasted of His flesh.
And Isaiah, foretelling this, did cry:
Hell, said he, was embittered
When it encountered Thee in the lower regions.

It was embittered, for it was abolished.
It was embittered, for it was mocked.
It was embittered, for it was slain.
It was embittered, for it was overthrown.
It was embittered, for it was fettered in chains.
It took a body, and met God face to face.
It took earth, and encountered Heaven.
It took that which was seen, and fell upon the unseen.

O Death, where is thy sting?
O Hell, where is thy victory?

Christ is risen, and thou art overthrown!
Christ is risen, and the demons are fallen!
Christ is risen, and the angels rejoice!
Christ is risen, and life reigns!
Christ is risen, and not one dead remains in the grave.
For Christ, being risen from the dead,
Is become the first-fruits of those who have fallen asleep.

To Him be glory and dominion
Unto ages of ages.

When we proclaim that Christ is risen, we share the news that all the fears and frustrations of daily life, that the crisis of nations and the plots and plans of politicians are all the last gasps of a dying order.  This truth supercedes what we read in the papers.  This is the news that there is hope and more than hope; that we can live now in the first-fruits of the new world.  Christ is Risen!

To read and hear the Paschal Greeting in 250 different languages, go here.

Saturday Shearing in the Barn

 

  

Good Friday

In Orthodox liturgics a new day begins at Sundown and so it is natural that services for the following day are often held by way of anticipation on the evening before.  Last night was the first of the Good Friday services, a reading of twelve selections from the Gospels recounting the Passion, that is the arrest, trial and crucifixion of the Lord.  In between the Gospel readings we sang hymns and verses meditating on the wonder and paradoxes of what is taking place in that liturgical time of the service which places us simultaneously in Palestine and the present.  Here is an Antiphon we sang which seem to follow with the theme of water that has been cropping up in my posts this week:

Today he who hung the earth upon the waters is hung upon a Tree, (x3)

He who is King of the Angels is arrayed in a crown of thorns.

He who wraps the heaven in clouds is wrapped in mocking purple.

He who freed Adam in the Jordan receives a blow on the face.

The Bridegroom of the Church is transfixed with nails.

The Son of the Virgin is pierced by a lance,.

We worship your Sufferings, O Christ (x3)

Show us also your glorious Resurrection.

The full service as translated by Archimandrite Ephrem Lash can be found here.

Holy Thursday

The One who made lakes and springs and seas, instructing us in surpassing humility, girding himself with a towel, washed his disciples’ feet, humbling himself in the abundance of his compassion and exalting us from the depths of wickedness, he who alone loves humankind.

From the service for Matins (Morning Prayer) on Holy Thursday

The Morning Fog Lifts

The Promise of Spring

Steve Hayes commented on yesterday's post from his Southern hemisphere home in South Africa: 

 And I heard noises outside my window this morning and looked out and the wind was swirling the dead leaves. I turned the heater on for the first time this year, and somewhere reported the first snow of the season.

This reminder of the reversal of seasons that comes from living on different halves of a big round ball mixed with the last few days of rain and brought to mind one of my favorite songs; The Waters of March/Águas de Março, by Antonio Carlos Jobim.  Jobim wrote two versions of the song.  The Portuguese original is a stream of consciousness meditation inspired by the rains of March, which in Brazil signal the end of summer.  The second, English, version is not so much a translation as a Northern hemisphere adaptation.  Here is a bit from the lyrics:

The plan of the house, the body in bed
And the car that got stuck, it's the mud, it's the mud
A float, a drift, a flight, a wing
A hawk, a quail, the promise of spring
And the river bank talks of the waters of March
It's the promise of life, it's the joy in your heart
A stick, a stone, it's the end of the road
It's the rest of a stump, it's a little alone
A snake, a stick, it is John, it is Joe
It's a thorn in your hand and a cut in your toe
A point, a grain, a bee, a bite
A blink, a buzzard, a sudden stroke of night
A pin, a needle, a sting a pain
A snail, a riddle, a wasp, a stain
A pass in the mountains, a horse and a mule
In the distance the shelves rode three shadows of blue
And the river talks of the waters of March
It's the promise of life in your heart
A stick, a stone, the end of the road
The rest of a stump, a lonesome road
A sliver of glass, a life, the sun
A knife, a death, the end of the run
And the river bank talks of the waters of March
It's the end of all strain, it's the joy in your heart

Reading the lyrics does not do justice to the song, with its deceptively simple syncopation and sweet but melancholy melody.  I counted yesterday and discovered that I own five versions of the song by different artists.  I did not plan this, it is just that I find myself listening to a lot of bossa nova lately.  Perhaps it is the combination of beauty and sadness in the best of it.  Perhaps it is just an urge to listen to music made by grown ups for a change.  The Orthodox theologian David Bentley Hart maintains in his The Beauty of the Infinite that "Bach's is the ultimate Christian music; it reflects as no other human artifact ever has or could the Christian vision of creation."  This is no doubt true for the big picture.  I see Bach as like the physics and higher math of cosmology and quantum mechanics.  It is true and it is beautiful but it describes a world both bigger and smaller than the one we humans live in.  Here on the human scale the math gets messy.  Coastlines are fractals.  Swirling waters and weather patterns are non-linear, defying easy prediction.  Even the human heart beats chaotically and a "perfectly regular heartbeat is more likely to presage sudden death than good health."  Jobim's little bossa nova about the change of seasons, be it North or South is not Bach, but, for me at least, it speaks of the underlying beauty amidst the ten thousand seemingly unconnected details found in any day in any life if you stop and look around.  Not a meaningless chaos then, but something more:

A float, a drift, a flight, a wing
A hawk, a quail, the promise of spring
And the river bank talks of the waters of March
It's the promise of life, it's the joy in your heart

The View From Home April 21 2008

In the Orthodox Church Calendar yesterday was Palm Sunday, the beginning of Holy Week.  Pascha, as we call Easter, is much later this year than the Western celebration, late enough in the season so the redbud is in bloom and the grass in our fields has turned from winter brown to green.  Here is the view from home this Monday morning in Holy Week.

The National Weather Service has placed us under a winter storm watch for Thursday night. Ice, sleet and freezing rain expected. From the photo archives, here is another picture of the aftermath of a mid-December ice storm.

Our flock has done some strange things, but I've never seen this before.

Light, Shadow, Classics and Packing Tape?

Mark Khaisman is an artist living and working in Philadelphia.  Born in Ukraine and educated in Moscow, Mark has worked as an architect, animator, iconographer, and stained glass designer.  In the last few years he has pulled together the skills from all his previous artistic incarnations and has applied them to creating art that at the same time combines the disciplines of classical drawing with the use of light from glass work to create something wonderful by layering common brown packing tape over Plexiglas.  This is what I mean:

The subject matter is a suit of ceremonial armor, perfect for a classic figure study, accenting detail and exercising the artist's ability to sketch in light and shadow.  Mark suggests it all simply by layering tape over a backlit panel.  Without the light, the figure would be a barely differentiated mass of muddy brown.  With the light shining through it becomes detailed, elegant, even radiant.  (to be continued . . .)

Susan I took a road trip this weekend; no kids, no computer, no sheep except the ones out the car window. We left Friday afternoon for Lancaster County PA and spent the night at a Bed and Breakfast in Bird in Hand. Saturday was farmer's markets, furniture stands, Amish food and a quick trip to Philadelphia, a new hotel and a reception for the opening of an exhibit of work by Mark Khaisman. More about that tomorrow. Tonight it's time for bed.